Triquetra Prophecy (Triquetra Trilogy Book 2)
According to legend, an invading Norse army was attempting to sneak up at night upon a Scots army encampment.
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During this operation one barefoot Norseman had the misfortune to step upon a Scots Thistle, causing him to cry out in pain, thus alerting the Scots to the presence of the Norse invaders. Some sources suggest the specific occasion was the Battle of Largs, which marked the beginning of the departure of King Haakon IV Haakon the Elder of Norway who, having control of the Northern Isles and Hebrides, had harried the coast of the Kingdom of Scotland for some years. Spiky plants such as brambles appear to have been used around forts since time immemorial, so the story, whether it factually relates to the Haakon episode or not, likely is the culmination of more than one such event over time.
Many practitioners of Germanic neopagan faiths wear Thor's Hammer pendants as a symbol of that faith worldwide. Various forms of Trees of Life also appear in folklore, culture and fiction, often relating to immortality or fertility. These often hold cultural and religious significance to the peoples for whom they appear.
For them, it may also strongly be connected with motif of the world tree. The tree, with its branches reaching up into the sky, and roots deep into the earth, can be seen to dwell in three worlds - a link between heaven, the earth, and the underworld, uniting above and below. It is also both a feminine symbol, bearing sustenance; and a masculine, phallic symbol - another union.
In Germanic Paganism, trees play a prominent role, appearing in various aspects of surviving texts and possibly in the name of gods.
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The tree of life appears in Norse religion as Yggdrasil, the world tree, a massive tree sometimes considered a yew or ash tree with extensive lore surrounding it. Perhaps related to Yggdrasil, accounts have survived of Germanic tribes honouring sacred trees within their societies.
In Norse mythology it is the apples from Iounn's ash box that provides immortality for the gods. The Tree of Life is thought by some as the axis mundi also cosmic axis , world axis , world pillar , columna cerului, center of the world is a ubiquitous symbol that crosses human cultures. The image expresses a point of connection between sky and earth where the four compass directions meet.
At this point travel and correspondence is made between higher and lower realms. Communication from lower realms may ascend to higher ones and blessings from higher realms may descend to lower ones and be disseminated to all. The spot functions as the navel, the world's point of beginning. The axis mundi image appears in every region of the world and takes many forms. The image is both feminine an umbilical providing nourishment and masculine a phallus providing insemination into a uterus. It may have the form of a natural or manufactured objects such as a tree, vine, staff or maypole , and is found in cultures having shamanic practices or animist beliefs, major world religions, and technologically advanced "urban centers.
The Triple Goddess is one of the two primary deities found in modern Wicca or Witchcraft. She comprises three separate goddesses united; a Maiden Goddess, a Mother Goddess and a Crone Goddess, each of which symbolises a separate stage in the female life cycle. She represents the feminine part of the religion's duotheistic system, the other part being the male Horned God - although in the tradition of Dianic Witchcraft she is the only deity worshipped. The idea of the Triple Goddess predates modern Wicca, but the "maiden, mother and crone" aspects originating with the poet Robert Graves, who described her in his book "The White Goddess.
The Maiden represents enchantment, inception, expansion, the promise of new beginnings, birth, youth and youthful enthusiasm, represented by the waxing moon. The Mother represents ripeness, fertility, sexuality, fulfillment, stability, power and life represented by the Full Moon. The Crone represents wisdom, repose, death, and endings represented by the waxing moon.
Believers claim that the echoing of a normative model of a woman's life-cycle allows women to identify with the deity in ways unreachable by what they consider to be patriarchal religions. Some feminist neo-pagans who identify themselves as Witches believe that the worship of the Triple Goddess dates to pre-Christian Europe and possibly the Paleolithic, and that their religion is a surviving remnant of ancient beliefs.
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They believe The Triple Goddess is an archetypal figure which appears though various different cultures and they therefore adopt the images and names of culturally divergent deities for different ritual purposes. The triquetra has been found on runestones in Northern Europe and on early Germanic coins. It presumably had Pagan religious meaning and it bears a resemblance to the Valknut, a symbol associated with Odin.
The triquetra is often found in insular art, most notably metal work and in illuminated manuscripts like the Book of Kells. The fact that the triquetra very rarely stood alone in medieval Celtic has cast a reasonable doubt on its use as a symbol in context where it was used primarily as a space filler or ornament in much more complex compositions. But Celtic art lives on as both a living folk art tradition and through several revivals.
This widely recognized knot has been used in for the past two centuries a sign of special things and persons that are threefold, such as Mother, Daughter and Grandmother - Maiden, Mother and Crone - Past, Present and Future.
Ancient Celtic Irish symbols meanings
This appropriation was particularly easy because the triquetra conveniently incorporated three shapes that could be interpreted as Christian symbols. A common representation of the symbol is with a circle that goes through the three interconnected loops of the Triquetra. The circle emphasizes the unity of the whole combination of the three elements. The triscele or triscelion has been used since ancient times in Celtic culture to symbolize the cycle of life.
It has also been a symbol for the trinity since post-pagan times and medieval times in Scotland, Ireland and parts of England and Wales. As with many of the pagan myths and stories that changed during this time period so did the pagan symbols that were once part of the culture in an effort to convert the entirety of celtic culture to Christianity.
The triscele also was a symbol for the three goddesses of Celtic mythology also found in Greek mythology. There is also some debate if it came to be a symbol for wise men, leaders, scholars and people of the arts among the druids an ancients celts alike.
Origins of this can be found in Brigid daughter of Dagda Brigid is one of the three goddesses. The Celtic symbol of three conjoined spirals may have had triple significance similar to the imagery that lies behind the triskelion. The triple spiral motif is a Neolithic symbol in Western Europe. It is carved into the rock of a stone lozenge near the main entrance of the prehistoric Newgrange monument in County Meath, Ireland.
A variant of the symbol is also found, carved into the wall in the inner chamber of the Passage Tomb. Because of its Celtic associations, it is also used as a symbol of Brittany alongside the Ermine. In the north of Spain, the triskelion is used as a symbol of Galizan and Asturian nationalists. In the Mabinogion story Ludd and Llefelys, the red dragon fights with an invading white dragon.
His pained shrieks cause women to miscarry and animals and plants to become barren. Lludd, king of Britain, goes to his wise brother Llefelys in France.
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Llefelys tells him to dig a pit in the centre of Britain, fill it with mead, and cover it with cloth. Lludd does this, and the dragons drink the mead and fall asleep. The tale is taken up by Nennius in the Historia Britonium. The dragons remain at Dinas Emrys for centuries until King Vortigern tries to build a castle there.
Every night the castle walls and foundations are demolished by unseen forces. Vortigern consults his advisers, who tell him to find a boy with no natural father, and sacrifice him. Vortigern finds such a boy who is later, in some tellings, to become Merlin who is supposed to be the wisest wizard to ever live.
On hearing that he is to be put to death to solve the demolishing of the walls, the boy dismisses the knowledge of the advisors. The boy tells the king of the two dragons. Vortigern excavates the hill, freeing the dragons. They continue their fight and the red dragon finally defeats the white dragon. The boy tells Vortigern that the white dragon symbolises the Saxons and that the red dragon symbolises the people of Vortigern. If Vortigern is accepted to have lived in the fifth century, then these people are the British whom the Saxons failed to subdue and who became the Welsh.
The same story is repeated in Geoffrey of Monmouth's History of the Kings of Britain, where the red dragon is also a prophecy of the coming of King Arthur.
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It is notable that Arthur's father was Uther Pendragon chief dragon , erroneously translated by Geoffrey as dragon's head. Henry Tudor flew the red dragon of Cadwaldr ap Cadwallon as his banner, overlaid on a green and white field representing the Tudor House, when he marched through Wales on his way to Bosworth Field. The information contained on this page is for informational purposes only, and does not necessarily imply complete accuracy or endorsement by Celtic Myth and Moonlight.
The information was entirely obtained from independent "third party" sources, such as Wikipedia, and is intended to be "politically neutral. Celtic Cross. Bridgid's Cross. Lion Rampant. Welsh Dragon. Chalice Well. Green Man. Elven or Fairie Star. Triple Goddess.
Tree of Life. Celtic Knotwork. Saltire or St. Andrew's Cross. Cross of St. Medicine Wheel. Thor's Hammer. Cross of the Knights Templar. Jolly Roger.
Descriptions of the Symbols.